Photo: Elvina Kulinicenko
OPEN FRAME begins with a simple gesture. An open space. A moment before things are defined.
This exhibition brings together photographers from around the world who approach the medium in very different ways. Some work with people, others with places, details, or ideas. Images can be direct or abstract, carefully composed or instinctive. Shot on film or digitally, each photograph carries its own rhythm and way of seeing.
There is no single narrative here. OPEN FRAME is about allowing photography to breathe. About looking without expectations, staying with an image a little longer, and recognizing how many directions the medium can take when it is given room to exist on its own terms.
OPEN FRAME begins with a simple gesture. An open space. A moment before things are defined.
This exhibition brings together photographers from around the world who approach the medium in very different ways. Some work with people, others with places, details, or ideas. Images can be direct or abstract, carefully composed or instinctive. Shot on film or digitally, each photograph carries its own rhythm and way of seeing.
There is no single narrative here. OPEN FRAME is about allowing photography to breathe. About looking without expectations, staying with an image a little longer, and recognizing how many directions the medium can take when it is given room to exist on its own terms.
photographers
Access the Private Viewing Room to experience the full-size photographs on your monitor.
introduction
OPEN FRAME begins with a simple gesture. An open space. A moment before things are defined.
This exhibition brings together photographers from around the world who approach the medium in very different ways. Some work with people, others with places, details, or ideas. Images can be direct or abstract, carefully composed or instinctive. Shot on film or digitally, each photograph carries its own rhythm and way of seeing.
There is no single narrative here. OPEN FRAME is about allowing photography to breathe. About looking without expectations, staying with an image a little longer, and recognizing how many directions the medium can take when it is given room to exist on its own terms.
catalogue
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Andy Platt
Lost Boats, 2025. Digital photograph (infrared)
Takeshi Yamamoto
Silent Witness, 2013. Digital photograph, NFS
Maria Pia Jaime
The Gate, 2025. Pinhole photograph, hand-printed silver gelatin on Ilford paper, 10.5×14.8cm
Ian Hale FCIS
Still Life, 2025. Digital photograph
Keith Davies
Fur Coat, 2024. Digital photograph
Corinne Vallienne
Cast in Stone, 2025. Digital photograph (fine art print on Japanese Wagami), 29.7×42cm, limited edition of 15, €380
Richard Murrin
Austin Spring. Digital photograph
Jan Koblanski
Childhood Memories, 2025. Film photograph
Brian Sanders
The Embrace, 2025. Digital monochrome photography
ji
Dawn, 2024. Digital photograph, 29.7×42cm
Ian Hale FCIS
Blood Moon, 2025. Digital photograph
Manel Antolí
Groucho… and She, 2025. Digital photograph
Elvina Kulinicenko
Tornado, 2025. Digital photograph
Pierandrea Fischetti
Seamstress in Sapa, 2025. Digital photograph
Byc.foto
The Protected One, 2026. Digital photograph
Tom Gainer
The Peanut Vigil, 2025. Digital photograph
ji
Tree Brilliance, 2021. Digital photograph, 29.7×42cm
Maria Pia Jaime
Absence, 2025. Pinhole photograph, hand-printed silver gelatin on Ilford paper, 10.5×14.8cm
Keith S
One Too Many #2, 2025. Digital photograph, 30×30cm
Tatiana Serova
A Gentleman in New York. Digital photograph
Brigitte B Burckhardt
The Hood, 2025. Digital photograph, 45×80cm, £375
Nluz Love
Solar, 2019. Digital photograph, 84.67×56.44cm
Jeanna Karimova
The Silence of Femininity, 2026. Digital photograph
Colin Wright
Towards Wales, 2025. Digital photograph, various sizes, price on demand
Robyn B Garnett
Rainy Days, 2025. Digital photograph
Tatiana Serova
Flaming June. Digital photograph
Elvina Kulinicenko
Cocoon for Two, 2025. Digital photograph
Corinne Vallienne
The Iron Pulse, 2025. Digital photograph (fine art print on Japanese Wagami), 29.7×42cm, limited edition of 15, €380
falk.brvt
America First (2019-0066), 2019. Digital photograph, fine art print, 64×64cm, edition of 8
Brian Sanders
Lost Soul, 2025. Digital monochrome photography
Nluz Love
Walking on the Light Planet, 2022. Digital photograph, 84.67×56.44cm
Richard Murrin
Boeuf sur le Toit. Digital photograph
Keith S
One Too Many #3, 2025. Digital photograph, 30×30cm
Danilo Maggi
Bombo, 2025. Digital photograph
Tom Gainer
The Walnut Rebellion, 2025, digital
Danilo Maggi
Mantis, 2025. Digital photograph
C.CODE
Accademia di Brera – Lego, 2025. Digital photograph, 120×60cm
David George
Two Bridges, 2025. Digital photograph
Hunter Paul
Reflecting Pool, 2026. Digital photograph
Brigitte B Burckhardt
The Artist, 2023. Digital photograph, 45×80cm, £375