Photo: Elvina Kulinicenko
OPEN FRAME begins with a simple gesture. An open space. A moment before things are defined.
This exhibition brings together photographers from around the world who approach the medium in very different ways. Some work with people, others with places, details, or ideas. Images can be direct or abstract, carefully composed or instinctive. Shot on film or digitally, each photograph carries its own rhythm and way of seeing.
There is no single narrative here. OPEN FRAME is about allowing photography to breathe. About looking without expectations, staying with an image a little longer, and recognizing how many directions the medium can take when it is given room to exist on its own terms.
OPEN FRAME begins with a simple gesture. An open space. A moment before things are defined.
This exhibition brings together photographers from around the world who approach the medium in very different ways. Some work with people, others with places, details, or ideas. Images can be direct or abstract, carefully composed or instinctive. Shot on film or digitally, each photograph carries its own rhythm and way of seeing.
There is no single narrative here. OPEN FRAME is about allowing photography to breathe. About looking without expectations, staying with an image a little longer, and recognizing how many directions the medium can take when it is given room to exist on its own terms.
photographers
Access the Private Viewing Room to experience the full-size photographs on your monitor.
introduction
OPEN FRAME begins with a simple gesture. An open space. A moment before things are defined.
This exhibition brings together photographers from around the world who approach the medium in very different ways. Some work with people, others with places, details, or ideas. Images can be direct or abstract, carefully composed or instinctive. Shot on film or digitally, each photograph carries its own rhythm and way of seeing.
There is no single narrative here. OPEN FRAME is about allowing photography to breathe. About looking without expectations, staying with an image a little longer, and recognizing how many directions the medium can take when it is given room to exist on its own terms.
catalogue
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Corinne Vallienne
The Iron Pulse, 2025. Digital photograph (fine art print on Japanese Wagami), 29.7×42cm, limited edition of 15, €380
Tatiana Serova
Flaming June. Digital photograph
Keith S
One Too Many #3, 2025. Digital photograph, 30×30cm
Jeanna Karimova
The Silence of Femininity, 2026. Digital photograph
Maria Pia Jaime
The Gate, 2025. Pinhole photograph, hand-printed silver gelatin on Ilford paper, 10.5×14.8cm
Tom Gainer
The Walnut Rebellion, 2025, digital
Richard Murrin
Austin Spring. Digital photograph
Ian Hale FCIS
Blood Moon, 2025. Digital photograph
Brian Sanders
The Embrace, 2025. Digital monochrome photography
Takeshi Yamamoto
Silent Witness, 2013. Digital photograph, NFS
Nluz Love
Walking on the Light Planet, 2022. Digital photograph, 84.67×56.44cm
Byc.foto
The Protected One, 2026. Digital photograph
Danilo Maggi
Bombo, 2025. Digital photograph
Pierandrea Fischetti
Seamstress in Sapa, 2025. Digital photograph
ji
Dawn, 2024. Digital photograph, 29.7×42cm
Manel Antolí
Groucho… and She, 2025. Digital photograph
Maria Pia Jaime
Absence, 2025. Pinhole photograph, hand-printed silver gelatin on Ilford paper, 10.5×14.8cm
Brigitte B Burckhardt
The Hood, 2025. Digital photograph, 45×80cm, £375
David George
Two Bridges, 2025. Film photograph (Fujifilm x100V)
Colin Wright
Towards Wales, 2025. Digital photograph, various sizes, price on demand
Nluz Love
Solar, 2019. Digital photograph, 84.67×56.44cm
Keith S
One Too Many #2, 2025. Digital photograph, 30×30cm
Brigitte B Burckhardt
The Artist, 2023. Digital photograph, 45×80cm, £375
falk.brvt
America First (2019-0066), 2019. Digital photograph, fine art print, 64×64cm, edition of 8
Tom Gainer
The Peanut Vigil, 2025. Digital photograph
Andy Platt
Lost Boats, 2025. Digital photograph (infrared)
Robyn B Garnett
Rainy Days, 2025. Digital photograph
C.CODE
Accademia di Brera – Lego, 2025. Digital photograph, 120×60cm
Ian Hale FCIS
Still Life, 2025. Digital photograph
Elvina Kulinicenko
Tornado, 2025. Digital photograph
Elvina Kulinicenko
Cocoon for Two, 2025. Digital photograph
Danilo Maggi
Mantis, 2025. Digital photograph
Brian Sanders
Lost Soul, 2025. Digital monochrome photography
Richard Murrin
Boeuf sur le Toit. Digital photograph
Tatiana Serova
A Gentleman in New York. Digital photograph
Hunter Paul
Reflecting Pool, 2026. Digital photograph
Jan Koblanski
Childhood Memories, 2025. Film photograph
Corinne Vallienne
Cast in Stone, 2025. Digital photograph (fine art print on Japanese Wagami), 29.7×42cm, limited edition of 15, €380
ji
Tree Brilliance, 2021. Digital photograph, 29.7×42cm
Keith Davies
Fur Coat, 2024. Digital photograph